Famous Japanese Artist
Utada Hikaru
Utada Hikaru, born in New York in 1983, grew up immersed in music. Recently she’s earned much praise for her musical sense and for her talent as singer-songwriter. Everything started with the single "time will tell," which registered on numerous FM charts more than a month before her official debut "Automatic." That release also did well on the charts, and since then, she’s followed it up with more and more songs, many of them entering the charts at the same time! Utada won the "PowerPlay" on dozens of nationwide FM stations. It is still freshly remembered that on the week of its release, her single set the record of ranking No.1 in frequency of airplay on FM and AM stations in both the Kanto and Kansai regions (203 times per week a 1998 record). And it’s a well-known fact that "Automatic/time will tell" (released Dec. 9, 1998 as both 12cm and 8cm discs) amazed everybody, achieving the extraordinary distinction of being ranked highly on various sales charts for both 12cm disc and 8cm discs, including the Original Confidence (Ori-Con) chart. Her following second single "Movin’ on without you" (released February 17, 1999 ), a commercial song for Nissan Terrano, earned the top position as it appeared in the Original Confidence chart. And her debut album, "First Love" (March 10, 1999 release), sold out at record stores prior to its official release date. In addition to instantly ranking No.1 on the Ori-Con chart, it also set new records for "Highest Initial Points for a Debut Album," and "Highest Initial Points for an Original Album." In the May 10 issue of Ori-Con, it became No.1 on the All Albums Chart. In the space of a mere five months after her debut, Utada climbed to the top of the Japanese pop music scene. After the title track of "First Love" (released April 28, 1999) became the main theme for TBS network’s weekly drama "Majo no Joken" (To Be a Witch), it was released as a single. Together with the drama the song continues to give heart-throbbing excitement to all viewers. The first live performances as "Utada Hikaru" were held on April 1 (at Umeda Heat Beat, Osaka) and April 2 (at Zepp Tokyo, Tokyo) with a full invitation system. Each host radio station was swarmed by applications from fans. Each stage was one consolidated groove when everybody and everything in the hall became as one amid the highest excitement, as Utada voiced, "Live is great and fun…!"
Utada Hikaru was born in the United States to a famous enka singer and a songwriter, who not only made sure that Hikaru inherited their talents, but also that she learned English before returning to Japan. As a child, Hikaru, spent time in recording studios soaking in the music and, at age 10, she began writing her own song lyrics in English. During that time, she was rocking out to bands like Queen and Bon Jovi, but later on got into R&B. By age 12, she had released three singles in the U.S. under the pseudonym, Cubic U.
When she released her first album, "First Love," in Japan, it immediately went to No. 1 on the charts and became the most popular debut album ever released in Japan, selling eight million copies. Utada is currently living in New York City, and is an undergraduate student at Columbia University.
Utada Hikaru has a hidden life. she appears to be an ordinary American college student. Last fall she attended classes by day, hung out with friends by night, and like most of her fellow Columbia University freshmen, she hasn’t settled on a major yet. But there were rumors about her among the students during orientation week—stories that were hard to believe.
"Most of my friends know the truth," says Hikaru. "Even before the first day of school, I was talking to this friend who was going to Columbia also, and he told me, ‘People all know you’re coming.’ And I go, ‘What do you mean?’ And he said, ‘Well, all the Asian kids know, but even the non-Asian students have heard something about the Japanese Britney Spears coming to their school.’"
She’s virtually unknown in the U.S., but Hikaru, 18, is Japan’s biggest pop star. The Japanese media sing her praises: BILINGUAL STRAIGHT-A STUDENT! AND THE DIVA OF THE HEISEI PERIOD! The Japanese public devours her music: her debut CD, First Love (1999), sold more than 9.5 million copies, making it the best-selling album in Japanese history. Her new CD, Distance, is selling just as fast. While other Japanese pop divas are content to sing throwaway tunes in baby-girl tones, Hikaru, who says that growing up she used to go to sleep to Metallica and wake up to Pearl Jam, performs songs that draw from R. and B., rap and even rock. During a recent MTV Unplugged concert, she surprised fans with a rendition of the Irish rock band U2’s song With or Without You. Except for such occasional covers, Hikaru writes almost all her own material, combining light melodies and strong grooves. Her lyrics, though mostly about adolescent angst, can be intriguingly off center. "Our last kiss/Tasted like cigarettes," she sings on First Love.
Although the press has compared Hikaru to Spears, the two are sharply different. First, there’s the issue of clothes. Unlike Britney, Hikaru keeps hers on. "I’m not like a gorgeous bombshell or anything like that," she says modestly. "It was just always my music at the front." Mobbed in Japan, she relishes anonymity in America. "I can never really enjoy being famous," she says. "So when I can just take a walk and go grocery shopping in New York, it takes a huge load off my back and I feel great. I feel human again, almost."
Hikaru was born in New York City but raised part-time in Tokyo. "When people ask me exactly how much time I spend in each country, I always tell them I have no idea," she says. "Because my parents have taken me back and forth ever since I was a baby." Her father Teruzane Utada is a producer and musician who now runs her management company. Her mother Keiko Fuji was a popular enka (Japanese ballad singer) in the 1970s who broke her fans’ hearts by giving up her career and moving to the U.S. to find a little peace. ("I don’t sing anymore," is all Fuji says now, smiling.) Hikaru says she got her start when she followed her parents into the studio and began to make recordings around age seven. ("No, younger!" shouts her father from nearby.) Like her mother, Hikaru plans to retire young—as early as 28—and perhaps pursue neuroscience. "I kind of see myself in a white coat in a lab, working till late evening in front of test tubes," she says. It’s hard to imagine that Spears has a similar vision of her future.
For now, though, Hikaru has taken leave from school (she plans to return soon) to focus on her music and establish her career in the U.S. She recently performed a song called Blow My Whistle, which was included on the sound track of the movie Rush Hour 2. Produced by the Neptunes, one of the hottest American hip-hop production duos around, the song features a cameo from gangsta rapper Foxy Brown. Hikaru said her producers were worried at first that she and Brown might fight, given their different temperaments and backgrounds. They got along just fine. The idea of having her on the song came from Pharrell (Williams, one-half of the Neptunes), says Hikaru. "He said Foxy and I would make a very strong combination, the two of us being such contrasting characters: the crazy, revealing, in-your-face Ill Na Na [Foxy’s nickname] and the more settled and slightly mysterious Asian girl."
The music industry is ruled by stereotypes: whites rock, blacks rap and croon soul, and few dare to cross the color line. There are hardly any Asian pop acts of prominence in the U.S. (no wonder some see Hikaru as mysterious). Hikaru is mounting a challenge to the status quo. On Blow My Whistle, her voice is more resonant than on her Japanese-language songs, and the track boasts beats that are more forceful. She leaves no doubt: she’s got Mary J. Blige, 125th Street-type soul. There’s another twist. The credits bill her as "Hikaru Utada"—using the Western custom of listing the surname last. Says Hikaru: "I just figured it’s a good way to separate my English and Japanese personas." After the interview, she sends a follow-up e-mail that begins, "This is Hikaru Utada. (Or is it Utada Hikaru…oh, whichever!)" She’s still a freshman. She’ll work things out.
Utada Hikaru announced her marriage to 34 year old photographer Kiriya Taniwa. They met in winter 2 years ago and have continued a relationship ever since. She too plans to have a child in the near future and is puting her singing career on hold for a short period of time to settle into her new life.
On October 5, 2004, Utada Hikaru released her North American debut album, Exodus, under the name "Utada" (for fear of fans mutilating her Japanese nickname, Hikki). It was released nearly a month earlier, on September 9 in Japan, with a special booklet and housed in a cardboard slipcase. In an MTV interview, Utada said: "There really aren’t any completely Asian people singing right now. For me, it’s an experiment to see what people are gonna think of it". But her American debut as an Island Def Jam Music Group artist was met with indifference by the American market, perhaps due in part to poor promotion on her record label’s part. Despite the failure in the international markets, this album topped the charts in Japan, though it sold less than her releases as Utada Hikaru. Also, "Devil Inside" became a club hit in the U.S. and topped the Billboard Hot Dance/Club Airplay charts.
"Easy Breezy" was released as the lead single in early August 2004, followed up by the dance blockbuster "Devil Inside" a month and two weeks later. "Exodus ‘04" was released at the end of June 2005. The fourth single from her "Exodus" album was released in October 2005: "You Make Me Want To Be A Man"
We highly recommend you get Utada Hikaru Single Collection Vol.1. Get ready for Hikaru ’s lethal musical dose! Her beautiful new release offers you the ultimate musical library of her beloved hits promising you extended hours of top J-pop all around the clock! The star ’s cream of the crop tunes like "For You", "Automatic" & "Can You Keep A Secret", "COLORS", plus many other essential smashs are all lined up for you on this dream collection! Listen to "SINGLE COLLECTION VOL.1" to enjoy Hikaru at her best! This compilation is great for people who is new to Utada Hikaru.
Japanese Plum 
Like cherry trees, plum trees come in many varieties, many of which were cultivated by humans over the centuries. Most plum blossoms have five petals and range in color from white to dark pink. Some varieties with more than five petals (yae-ume) and weeping branches (shidare-ume) have also been cultivated. Unlike cherry blossoms, plum blossoms have a strong fragrance. 
The actual ume fruit is more sour than the western plum or apricot, and is usually processed in various ways before eaten. 
The method spread throughout China and by the seventh century, had made its way to Japan, where seafood has historically been a staple. The Japanese, however, took the concept further and began to eat the rice with the fish. Originally, the dish was prepared in much the same manner. In the early 17th century, however, Matsumoto Yoshiichi of Edo (now Tokyo) starting seasoning the rice with rice wine vinegar while making his ‘sushi’ for sale. This allowed the dish to be eaten immediately, instead of waiting the months it might normally take to prepare the ‘sushi.’ 
